Kamakshi Amman Temple

காமாட்சி அம்மன் கோயில்

Kamakshi · Kamakshi Amman

Seated in padmasana, holding a sugarcane bow, lotus, parrot, noose and goad

Kanchipuram, Tamil Nadu · Shakta tradition

The Ashtadasa Shakti Peetha stotram names Kamakshi at Kanchi second among its eighteen seats of the Goddess.

Read the story
Directions

At the gate

Darshan hours
  • 5:30 am – 12:00 pm · Darshan (morning)
  • 4:00 pm – 8:00 pm · Darshan (evening)
Getting there
Train: Kanchipuram railway stationAir: Chennai International Airport

Not yet confirmed: dress code, phone rules, entry for visitors of other faiths, walking distance. Ask at the temple office or enquiry counter — and if you know, tell us. hello@aalayakatha.com

Full visiting details

Sthala purana

The story of this place

3 accounts are recorded. Each is told separately, in the words of its own tradition — they are never merged.

Family note: this story includes violence or death.
Told in: The Devi Bhagavata Purana, Book 7; the Ashtadasa Shakti Peetha stotram

Sati's body and the seats of the Goddess

Daksha receives a garland from the sage Durvasa, who had it from the Goddess herself. In the Devi Bhagavata's telling, the way Daksha treats that gift turns him against Shiva and against his own daughter Sati, Shiva's wife. At Daksha's sacrifice the enmity comes to a head, and Sati burns her body in a fire she raises by yoga, keeping her devotion to her husband intact.

Shiva's anger threatens the three worlds. Virabhadra rises from it and Daksha's sacrifice is destroyed. Shiva lifts Sati's body and wanders with it in grief, and Vishnu cuts the body to pieces with his arrows. Wherever a part falls, Shiva remains there in some form, and the place becomes a seat — a pitha — of the Goddess. Vyasa, narrating, then names the seats one after another, each with the goddess who presides there.

Kanchi does not appear in that chapter's list. Its place among the eighteen great seats comes from the Ashtadasa Shakti Peetha stotram — traditionally attributed to Adi Shankara, though no source confirming the attribution has been found — which names Kamakshi at Kanchi second, after Shankari in Lanka.

The stotram names a goddess and a town for each seat. It does not say which part of Sati fell where. The common identification of Kanchi with Sati's navel has not yet been traced to a written source. The Lalitopakhyana, the text that tells Kamakshi's own story, goes the other way: its translator's note distinguishes the Kamakshi of Kanchi from the Kamakhya near Guwahati, the seat that is tied to Sati's fallen body. At Kanchi the Goddess's presence is explained by the stories that follow — Brahma's penance and Parvati's — rather than by Sati's death.

Where this account comes from

  • Purana: Devi Bhagavata Purana, Book 7, Chapter 30, vv. 26–102 (Swami Vijñanananda tr., 1921) wisdomlib.org
  • Hymn: Aṣṭādaśa Śakti Pīṭha Stotram, vv. 1–5a, beginning Laṅkāyāṃ Śāṅkarī devī. Traditionally attributed to Adi Shankara; the attribution is unverified. No critical edition or verse numbering was found. hindupedia.com · seen 2026-10-09
  • Purana: Brahmanda Purana, Lalitopakhyana 39, vv. 1–120 (G. V. Tagare tr.) wisdomlib.org
Told in: The Brahmanda Purana, Lalitopakhyana 39

Brahma's penance and the naming of Kamakshi

Hayagriva tells the sage Agastya how Brahma performed a long and hard penance at Kanchi to see the Goddess. She appeared, granted his request that she stay at Kanchi, and Shiva as Kameshvara manifested at her side. Brahma and Vishnu conducted the marriage of the divine pair. From the Goddess's glances at Brahma and Vishnu arose Sarasvati and Lakshmi — 'Ka' and 'Ma' — and the text says she has carried the name Kamakshi ever since.

Read this account

The sage Agastya asks, and the teacher Hayagriva answers. Hayagriva traces the Goddess through a series of manifestations and says that Tripura alone has manifested as Kamakshi in Kanchi. He calls Kanchi an ornament of the whole earth, and pairs it with Kashi: the two cities are the two eyes of Shiva.

At Kanchi, Brahma undertakes a long and difficult penance in order to see the Goddess. She appears seated on a lotus, with Vishnu beside her, and the text calls her Simhasaneshvari and Adilakshmi. Brahma praises her at length, takes refuge in her, and is offered a boon. He asks that she remain at Kanchi to bless its people. She agrees. Brahma then asks Vishnu to stay as well, and Vishnu agrees.

At the Goddess's wish, Shiva appears on her right side as Kameshvara. A young girl emerges from her glance, and Brahma and Vishnu officiate at the marriage of the first pair, with gods and sages in attendance. Brahma creates a city in his mind for the occasion, and Maheshvara marries Gauri.

Then comes the name. The Goddess looks at Brahma with her right eye and at Vishnu with her left. From those glances arise Sarasvati and Lakshmi — 'Ka' and 'Ma' — and from then on, the text says, the Goddess has been called Kamakshi. She sends Brahma to install Vishnu and Shiva in their own shrines, and tells him to worship the Kamagiri pitha at the centre of Shripura.

The chapter places Shiva's shrine to the north-west and Vishnu's to the south-east of the Goddess, and it names her seat the Kamakoshtha. It is the text's explanation of the goddess's name, and of why Kanchi holds the shrines of Shiva and Vishnu around her.

Where this account comes from

  • Purana: Brahmanda Purana, Lalitopakhyana 39, vv. 1–120 (G. V. Tagare tr.) wisdomlib.org
Told in: The Brahmanda Purana, Lalitopakhyana 40

Parvati's penance on the Kampa

Parvati playfully covers Shiva's eyes and the world falls dark. Shiva sends her, by way of Kashi, to Kanchi to propitiate Kamakshi with penance on the banks of the Kampa river. Kamakshi appears and tells her she will win Shiva as husband. Shiva, waiting under a lone mango tree, is told to remain at the Ekamra seat and bless Gauri there, and the two are married. The same chapter brings Bhairava and King Dasharatha to the Kamakoshtha.

Read this account

In play, Parvati covers Shiva's eyes with her hands. The world goes dark and its rites stop. Shiva blames her, and sends her first to Kashi and then to Kanchipura to propitiate Kamakshi, with penance on the banks of the Kampa.

Parvati does as she is told. Kamakshi appears to her, says she is pleased with the severity of the penance, and tells her to win Shiva as her husband. Shiva, meanwhile, grieves the separation and meditates beneath a single mango tree. The Goddess as Shrividya tells him to stay on her seat called Ekamra, and to bless Gauri on the Kampa's bank. Shiva marries her with the proper rites and rides his bull back to Kailasa.

Hayagriva tells two more stories in the chapter. In the first, Bhairava has plucked off one of Brahma's heads and the skull has stuck to his nail. He wanders seeking release, bathes in the Panchatirtha at Kanchi and meditates at the Kamakoshtha. The Goddess tells him he will be free the next day. A voice sends him into a lake; he comes up in what he takes for the Ganga at Kashi, a woman who looks like the goddess of Kanchi gives him alms, and the skull falls. He realises the city is Kanchi and the river the Kampa.

In the second, King Dasharatha of Ayodhya is childless. On the advice of Vasishtha he worships the Goddess, who in a dream tells him to go to Kanchipura, bathe in the Kampa and see the Kamakoshtha, where she sits facing east. He stays seven days, and Kamakshi promises him four sons who will be her own parts.

The chapter ties the goddess's seat to the Ekamra — the mango-tree seat of Shiva — and to the Kampa river. The translator notes that the Ramayana has no basis for the Dasharatha episode, and that the text has reshaped older stories to glorify Kamakshi.

Where this account comes from

  • Purana: Brahmanda Purana, Lalitopakhyana 40, vv. 10–137 (G. V. Tagare tr.) wisdomlib.org

In one minute

Why Kamakshi Amman Temple matters

Each line says who it comes from and how settled it is. What the labels mean

  1. The Ashtadasa Shakti Peetha stotram names Kamakshi at Kanchi second among its eighteen seats of the Goddess.

    Source for: The Ashtadasa Shakti Peetha stotram names Kamakshi at Kanchi second among its ei
    • Hymn: Aṣṭādaśa Śakti Pīṭha Stotram, vv. 1–5a, beginning Laṅkāyāṃ Śāṅkarī devī. Traditionally attributed to Adi Shankara; the attribution is unverified. No critical edition or verse numbering was found. hindupedia.com · seen 2026-10-09
  2. Three chapters of the Lalitopakhyana in the Brahmanda Purana are given to Kamakshi of Kanchi, where the text says Tripura herself manifested as Kamakshi.

    2 sources for: Three chapters of the Lalitopakhyana in the Brahmanda Purana are given to Kamaks
    • Purana: Brahmanda Purana, Lalitopakhyana 39, vv. 1–120 (G. V. Tagare tr.) wisdomlib.org
    • Purana: Brahmanda Purana, Lalitopakhyana 40, vv. 10–137 (G. V. Tagare tr.) wisdomlib.org
  3. Adi Shankara is credited with establishing the Sri Chakra in front of the goddess, and the temple is managed by the Shankara Mutt.

    Source for: Adi Shankara is credited with establishing the Sri Chakra in front of the goddes
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09
  4. The Kalvar Perumal shrine inside the temple is counted among the 108 Divya Desams of Vishnu.

    Source for: The Kalvar Perumal shrine inside the temple is counted among the 108 Divya Desam
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09

Shilpa

When you visit, look for…

Dravida

The temple stands in a complex of about five acres around a sanctum with a gold-plated vimana. A Dravida attribution is usual for Kanchipuram temples, but no ASI or academic study of this building confirming it has been found yet.

  • Sanctum

    The Sri Chakra before the goddess

    Kamakshi seated in padmasana with sugarcane bow, lotus, parrot, noose and goad, and the Sri Chakra installed in front of her, credited to Adi Shankara.

  • Tower over the sanctum

    Gold-plated vimana

    The gold-plated tower over the sanctum, which has entrances on all four sides.

  • Great hall

    Gayatri Mantapam

    Twenty-four pillars, matching the twenty-four syllables of the Gayatri mantra.

  • Detail

    Kalvar Perumal

    The standing Vishnu image of the Kalvar Perumal Divya Desam on the right wall of the Gayatri Mantapam.

    Where to stand: Inside the Gayatri Mantapam; the image faces south-west.

  • Detail

    Adi Shankara's shrine

    The shrine in the inner prakara where the festival image of Kamakshi takes leave of Shankara before each procession.

  • Temple tank

    Temple tank and hundred-pillared hall

    In the outer prakara, the tank with images of Vishnu standing, seated and reclining nearby, beside the hundred-pillared hall and the flagstaff mandapa.

Yatra

Plan your visit

Darshan times

Darshan (morning)5:30 am – 12:00 pm
Darshan (evening)Hours may change on festival days.4:00 pm – 8:00 pm
Golden chariot procession (Fridays)7:00 pm

Confirm on the day. Times change on festival days and without notice. These times are not from the temple’s own notice.

Before you go

  • No dress code or entry rules have been confirmed for this temple yet. Traditional, modest clothing is always the safe choice; ask at the entrance.

Walking, steps and access

We have not yet confirmed how much walking or climbing is involved, or whether there is wheelchair access. If you are travelling with elders, ask at the temple office or the devasthanam enquiry counter before you set out.

Getting there

  • By air: Chennai International Airport · about 70 kmTaxis and buses run from the airport to Kanchipuram.
  • By train: Kanchipuram railway stationIn the town; trains from Chennai, Bengaluru and Coimbatore.
  • By road: Kanchipuram bus standBus and taxi links to the major cities of Tamil Nadu.

PIN 631502 (not yet checked with India Post)

The order of darshan

No published source gives the order in which to visit the shrines here, so we have not invented one. Follow the queue and the temple staff.

Festivals

  • Annual festival (Masi)

    Feb–Mar · Masi

    The main annual festival, with the silver chariot procession on the seventh day.

  • Navaratri

    Sep–Oct

    Celebrated as one of the temple's festivals.

  • Aadi and Aippasi Pooram

    Jul–Aug; Oct–Nov · Aadi / Aippasi, Pooram

    The Pooram star days of the Tamil months Aadi and Aippasi are marked at the temple.

  • Vasanta Utsavam and Sankara Jayanthi

    May–Jun · Vaikasi

    The spring festival and Adi Shankara's jayanthi fall in Vaikasi.

Customs you will see here

Itihasa

Through time

Two registers, kept apart on purpose: what the Puranas tell, and what the historical record shows. They answer different questions and we do not force them to agree.

In the Puranas and tradition

  1. Brahma's penance; the Goddess agrees to remain at Kanchi

    The Lalitopakhyana's account of how the Goddess came to stay at Kanchi and took the name Kamakshi. No yuga is given.

    Source for: Brahma's penance; the Goddess agrees to remain at Kanchi
    • Purana: Brahmanda Purana, Lalitopakhyana 39, vv. 1–120 (G. V. Tagare tr.) wisdomlib.org

In the historical record

  1. c. 700–799

    Sri Chakra established by Adi Shankara

    Tradition holds that Adi Shankara, in the 8th century, installed the Sri Chakra and turned the goddess from a fierce form to a peaceful one.

    Source for: Sri Chakra established by Adi Shankara
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09
  2. Mentioned in a Sangam-era Tamil work

    The temple is reported to be mentioned in the Perumpanarruppadai. We have not yet checked the passage itself.

    Source for: Mentioned in a Sangam-era Tamil work
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09
  3. Construction credited to Thondaiman Ilandiraiyan

    Temple tradition credits the building to King Thondaiman Ilandiraiyan. The tradition gives no date.

    Source for: Construction credited to Thondaiman Ilandiraiyan
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09
  4. Managed by the Shankara Mutt

    The temple is administered as Sri Kamakshi Ambal Devasthanam under the Shankara Mutt of Kanchipuram.

    Source for: Managed by the Shankara Mutt
    • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09

Around here

Worth the detour

  • Temple

    Ekambareswarar Temple

    The Lalitopakhyana ties Parvati's penance at Kanchi to Shiva's Ekamra, the mango-tree seat.

  • Monastery

    Kanchi Shankara Mutt

    The matha that manages the temple.

Sources

Where this page comes from

  • Hymn: Aṣṭādaśa Śakti Pīṭha Stotram, vv. 1–5a, beginning Laṅkāyāṃ Śāṅkarī devī. Traditionally attributed to Adi Shankara; the attribution is unverified. No critical edition or verse numbering was found. hindupedia.com · seen 2026-10-09
  • Purana: Devi Bhagavata Purana, Book 7, Chapter 30, vv. 26–102 (Swami Vijñanananda tr., 1921) wisdomlib.org
  • Purana: Brahmanda Purana, Lalitopakhyana 39, vv. 1–120 (G. V. Tagare tr.) wisdomlib.org
  • Purana: Brahmanda Purana, Lalitopakhyana 40, vv. 10–137 (G. V. Tagare tr.) wisdomlib.org
  • Press: South First, "Southern Splendour: All you need to know about Kanchipuram's Sri Kamakshi Amman Temple", 30 January 2024 (updated 6 February 2024) thesouthfirst.com · seen 2026-10-09

Cite this page

Aalaya Katha Foundation, “Kamakshi Amman Temple”, Aalaya Katha, version last reviewed 2026-10-09. https://www.aalayakatha.com/temple/kamakshi-kanchipuram (accessed ).

Last reviewed 2026-10-09. How we label sources and confidence